The Astons' keening vocals sound like burnt calls of vengeance from beyond the grave - an unsettling, effective demonstration of their musical skills. Perhaps the strongest song is the most minimal: "Bread From Heaven," an allegoric, vicious slam on the English government for its treatment of Wales. Though the Astons grew up in Porthcawl, South Wales, they moved to London in 1981 and renamed the goth-influenced group Gene Loves Jezebel.
The reunion proved to be short-lived, and through much of the 2000s, Jay and Michael each recorded and toured with bands calling themselves Gene Loves Jezebel Jays was based in the U.K. Twin brothers Jay and Michael Aston began playing music in 1980 when they formed Slav Arian with guitarist Ian Hudson and a drum machine.
"Influenza," a deceptively calm instrumental, relies on wordless vocals from the band to increase the creeping sense of unease. Gene Loves Jezebel re-formed in 1998 for VII, released in 1999 on Robinson Records. Songs often crackle with a nervous, giddy fear, while the music at its more restrained feels like an ominous call to doom. Strong examples include the moody intro into explosive guitar roar on "Upstairs," the building roll of verses into a wordless yell on "Screaming for Emmalene/Scheming," and the sudden drop out of the music towards the end of "Psychological Problems." The Astons' near-interchangeable vocals conjure up images of desolation, highly suspect sex, freakish family scenarios, and insanity theirs are not the most happy-go-lucky of lyrics, but they deliver them with an invigorating, about-to-crack energy. One of the more common but effective elements on Promise is a sense of quick, dramatic changes. Despite the unstable lineup at the time of recording, everything sounds like the product of a well-seasoned band, no doubt thanks to the Astons' considerable and happily justifiable belief in their own abilities. John Brand's production balances out brute force with careful texturing, allowing the group to showcase their power chops as well as their calmer, moodier side. Careening, wailing guitar is matched by careening, wailing vocals from the two brothers, while forceful, semi-tribal drumming underlay everything on display. If bands like Siouxsie and the Banshees and Bauhaus can be considered the founders of post-punk glam, laying the foundations of what would turn into goth rock, then Gene Loves Jezebel followed closely in their footsteps with the debut, Promise.
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